I will do an analysis of the results of the surveys, that visitors completed, when I do the next post. Gregor
20/06/2010
Cromford Village Festival day One
Day one is over and a large number of people visited the stall. It is not quite the same as being in the Pavilion Pump Room but very visible, up against the wall of "The Boat Inn". 
I will do an analysis of the results of the surveys, that visitors completed, when I do the next post. Gregor
I will do an analysis of the results of the surveys, that visitors completed, when I do the next post. Gregor
17/06/2010
Cromford Village Festival
Come and see us in Cromford! 
We will have our stand at the Cromford Village Festival. It will show the plans and the Blog entries found here, wiich talk about what we hope to do in each section of the building. Gregor
We will have our stand at the Cromford Village Festival. It will show the plans and the Blog entries found here, wiich talk about what we hope to do in each section of the building. Gregor
13/06/2010
The Second day of the Open Days
Two hectic days and now the Open Days are complete; time for a well earned rest! 
We have had 276 people through our doors and our plans have received a rapturous reception. Especial thanks must go to Nick Whitehead for organising the whole event; Mark Crowfoot for the fantastic “Artists Impressions”; Mike Askey for the amazing plans; Robert Evans for the sketches; The Mining Museum for the use of the Pump Room; Bob Grayson for organising the bucket collection.
That bucket collection raised £295.10, which more than paid our costs, and lots of people helped by holding a bucket.
But the biggest thank you must go to all of you who visited the Pump Room and saw the plans; contributed ideas; and gave us some money. These ideas will be collated over the next few days and I will do another post with some of the results. Gregor
We have had 276 people through our doors and our plans have received a rapturous reception. Especial thanks must go to Nick Whitehead for organising the whole event; Mark Crowfoot for the fantastic “Artists Impressions”; Mike Askey for the amazing plans; Robert Evans for the sketches; The Mining Museum for the use of the Pump Room; Bob Grayson for organising the bucket collection.
That bucket collection raised £295.10, which more than paid our costs, and lots of people helped by holding a bucket.
But the biggest thank you must go to all of you who visited the Pump Room and saw the plans; contributed ideas; and gave us some money. These ideas will be collated over the next few days and I will do another post with some of the results. Gregor
12/06/2010
The First day of the Open Days
Well the first day is over and I can declare it a good success. There was a good turnout from members of the committee and I believe that every question that was asked got answered. About 140 people have viewed the plans and many of them have completed forms giving their views. 
Those forms, and the comments on them, will help us to produce better plans. We will take all the comments into account and I feel sure there will be something there that we have missed! The Derby Evening Telegraph arrived and spoke to a number of people, they were impressed with our plans and organisation and I believe we will get a good article on Monday. We had a bucket collection and a number of people took part. Thanks for Bob Grayson for organising it. So far we have raised around £220, so well done everyone who helped. 
The Mining Museum had their open event, for Matlock Bath Residents, in the evening. The committee were well pleased with the turnout of residents; who enjoyed tea and cake, as well as a free view of the exhibition. Gregor
Those forms, and the comments on them, will help us to produce better plans. We will take all the comments into account and I feel sure there will be something there that we have missed! The Derby Evening Telegraph arrived and spoke to a number of people, they were impressed with our plans and organisation and I believe we will get a good article on Monday. We had a bucket collection and a number of people took part. Thanks for Bob Grayson for organising it. So far we have raised around £220, so well done everyone who helped. 
The Mining Museum had their open event, for Matlock Bath Residents, in the evening. The committee were well pleased with the turnout of residents; who enjoyed tea and cake, as well as a free view of the exhibition. Gregor
09/06/2010
The Pavilion Plans Part 12 – Loading Area
This is the twelfth and last in my series of articles about our plans for the Pavilion. When I started I never thought I’d get to the end! The loading area is an important part of any multi-use building as it is the place that makes those fast changeovers occur; which in turn make the building work. 
When we have moved the toilets, post eleven, we will have a space, which is out of the way, where we can park small and medium sized lorries; so that they can be unloaded and reloaded. In the old days much of this equipment seems to have gone in through the front door! There was a hoist at the back of the building to lift equipment through holes in the floor; which would be covered over afterwards. We wanted a better arrangement than this and in any case, that sort of procedure would not meet today’s health and safety requirements. Hence the need for a goods lift, covered in my post ten. This lift will arrive at the ground floor next to a roller-door to allow access. 
Outside will be the space for vehicles to park for loading. Here is an example of a possible Saturday in the summer: • 8am: Pavilion staff arrive and roll back the movable seating to expose the ballroom floor. They clear the removable seats into the carousels and use the goods lift to move them to the store on the mezzanine floor. • 9am: the roller door is opened and the table top traders use the goods lift to move their items up to the ballroom. Our staff start to move out and lay up the tables. • 9-11am: our staff ensure that traders move their cars once they have unloaded, to create space for other traders to use. • 11am: the table top sale starts, the roller doors are closed and the vans are moved to other parking places. • The downstairs toilet becomes available to the public during the day. • 2pm: the band, which is playing that night, arrives and uses the goods lift to move their gear onto the stage. The stage curtain is closed to reduce the noise. The stage lighting is organised at this time. • 4pm: the table top sale ends and traders start to use the goods lift to move their unsold goods back down to the loading area. • 6pm: the ballroom is free and the band carries out its sound-check and adjusts the lighting in the ballroom. • 7pm; the public toilet is closed to outside users. • 7.30pm: guests for the concert start to arrive and use the bar. • 8pm: the concert starts. • 11pm: the concert ends. • 12 midnight: the band is packed up and out of the building. 
A busy day, but that will be life in our Pavilion! Gregor
When we have moved the toilets, post eleven, we will have a space, which is out of the way, where we can park small and medium sized lorries; so that they can be unloaded and reloaded. In the old days much of this equipment seems to have gone in through the front door! There was a hoist at the back of the building to lift equipment through holes in the floor; which would be covered over afterwards. We wanted a better arrangement than this and in any case, that sort of procedure would not meet today’s health and safety requirements. Hence the need for a goods lift, covered in my post ten. This lift will arrive at the ground floor next to a roller-door to allow access. 
Outside will be the space for vehicles to park for loading. Here is an example of a possible Saturday in the summer: • 8am: Pavilion staff arrive and roll back the movable seating to expose the ballroom floor. They clear the removable seats into the carousels and use the goods lift to move them to the store on the mezzanine floor. • 9am: the roller door is opened and the table top traders use the goods lift to move their items up to the ballroom. Our staff start to move out and lay up the tables. • 9-11am: our staff ensure that traders move their cars once they have unloaded, to create space for other traders to use. • 11am: the table top sale starts, the roller doors are closed and the vans are moved to other parking places. • The downstairs toilet becomes available to the public during the day. • 2pm: the band, which is playing that night, arrives and uses the goods lift to move their gear onto the stage. The stage curtain is closed to reduce the noise. The stage lighting is organised at this time. • 4pm: the table top sale ends and traders start to use the goods lift to move their unsold goods back down to the loading area. • 6pm: the ballroom is free and the band carries out its sound-check and adjusts the lighting in the ballroom. • 7pm; the public toilet is closed to outside users. • 7.30pm: guests for the concert start to arrive and use the bar. • 8pm: the concert starts. • 11pm: the concert ends. • 12 midnight: the band is packed up and out of the building. 
A busy day, but that will be life in our Pavilion! Gregor
The Pavilion Plans Part 11 – Toilets
This is the eleventh in my series of articles about the plans for the Pavilion. Why would I want to devote a whole post to the subject of toilets!
When we spoke to the District Council they indicated that they were looking to reduce their commitment to providing toilets in almost every large village and town. They asked us if we could include this provision into our plans.
• We had nowhere in the building to store things of any size. • There was a toileting requirement for Theatre, far larger than we could cater for within the building. • We had not got a proper unloading area for equipment; needed for the events that would be put on. • We would probably have to build an extension for the goods lift in any case.As a result it became clear that to take over the existing toilet block; move it to the side of the building; add a further story to it; and use the remaining space as a loading area would, together, give us the solution that we were looking for.
The whole process rests on our ability to re-build the block on the side of the building and to use the toilets, on some evenings, as part of the capacity of the building.
The existing toilet block is hardly pleasant, over 50% of respondents to our survey said that the toilet facilities “could be much better” and only 18% thought “They are OK”. No-one responded yes to the question “Matlock Bath is over-provided”!
We could provide much better toilets, but only if we can have them locked at night. Much of the damage occurs at night. Apart from Illuminations nights, very few people use the toilets after around 6-7pm. In any case there are other toilets near the War Memorial and we would have the Pavilion toilets open for Illuminations nights.
From this thought process arrived the idea that toilets, with two entrances, would be the best solution. One entrance, open during the day, allows members of the public to use the toilets; but not enter the building. A second entrance connects the toilets to the rest of the Pavilion. This entrance would be open during evenings, when the full capacity is required; see my post four. 
The number of spaces in the toilet would be the difference between the requirement for normal use, when people can go at any time, and Theatre use; when use of the toilets is concentrated into a narrow timeframe. So where people are free to move around the building, the downstairs toilets will be closed to the building; and completely closed in the evening. When the seats are out, and for instance there is Theatre or Classical Music in the ballroom, the internal door only would be open.
Within this proposal there may be some conflicts in the use, but good management of the facility should avoid these from causing confusion. Matinee Theatre events would be an example of this and, either we will not be able to do them, or we have to manage the movement of people during the interval.
This is not an idealistic solution to the problem, but it is a cheaper and workable solution.
08/06/2010
The Pavilion Plans Part 10 – Storage, Stairs and Goods Lift
This is the tenth in my series of articles about the plans for the Pavilion. Storage space maybe the least sexy part of a building, but it is one of those things you can’t afford to get wrong!
We have to have a goods lift, even though it is a really expensive item, as we cannot lift all the gear that is required for concerts, theatre, exhibitions or even table-top-sales without this lift. We will also have to move the re-movable chairs talked about in post eight. 
The lift will have to use the south staircase by the stage as it is the only position in the building that can access all the floors. The Stage and under-stage area are both on different levels to the ballroom. To achieve this it will have to have three doors, one opening at ground level and at storage level facing south. One door will be facing north to give access to the ballroom and the final one accessing the stage and the under-stage area. We will therefore require a new staircase which will go around this lift and connect the stage, under-stage, sun terrace, storage area and the toilets. This will be in a new building beside the stage and under-stage extension to the Pavilion. 
This staircase extension leads to larger extension on the south side of the Pavilion and beside the Mining Museum; it will run the length of the ballroom and be two stories high. I will talk more tomorrow about the lower floor tomorrow, but the upper floor will be our store and plant room. We need a store for all those seats talked about in part eight, there will be 4 carousels; a number of staging pieces that would be used to extend the stage; portable equipment for the flexible use intended for the building; and finally staging props that are regularly used and better not to store off-site. The philosophy and justification for this extension will be discussed in detail in post eleven. But the upper part of this building will be very useful to us, even if not very sexy! Gregor
We have to have a goods lift, even though it is a really expensive item, as we cannot lift all the gear that is required for concerts, theatre, exhibitions or even table-top-sales without this lift. We will also have to move the re-movable chairs talked about in post eight. 
The lift will have to use the south staircase by the stage as it is the only position in the building that can access all the floors. The Stage and under-stage area are both on different levels to the ballroom. To achieve this it will have to have three doors, one opening at ground level and at storage level facing south. One door will be facing north to give access to the ballroom and the final one accessing the stage and the under-stage area. We will therefore require a new staircase which will go around this lift and connect the stage, under-stage, sun terrace, storage area and the toilets. This will be in a new building beside the stage and under-stage extension to the Pavilion. 
This staircase extension leads to larger extension on the south side of the Pavilion and beside the Mining Museum; it will run the length of the ballroom and be two stories high. I will talk more tomorrow about the lower floor tomorrow, but the upper floor will be our store and plant room. We need a store for all those seats talked about in part eight, there will be 4 carousels; a number of staging pieces that would be used to extend the stage; portable equipment for the flexible use intended for the building; and finally staging props that are regularly used and better not to store off-site. The philosophy and justification for this extension will be discussed in detail in post eleven. But the upper part of this building will be very useful to us, even if not very sexy! Gregor
The Pavilion Plans Part 9 – The Stage
This is the ninth in my series of articles about the plans for the Pavilion. The stage will not change in principle, but there is a significant amount of work to be done. 
We are looking to achieve the following objectives: • To keep the Proscenium Arch. • To have the ability to construct Theatre props, whilst the rest of the Pavilion is being used for other things. • To be able to slide in props from the wings. • To be able to drop props from the “Fly Tower”. • To be able to drop backdrops from the “Fly Tower”. • To have a good Dressing Room area for the Theatre. • To be able to have a “Green Room” for musicians. The stage is “raked”, what that means is that it is lower at the front than the back. This allows more people to have a clear view of the back of the stage. We will not change this. The width of the stage is an important question, due to sight-lines and the type of performance that we can put on. However the Proscenium Arch is a tremendous feature in the Pavilion, which should not be lost.
The Proscenium Arch is seven meters wide but the stage could be extended to ten by ten meters. The result is that the arch restricts the view of the back of the stage; especially if you are sitting at the front and off to one side.
The result is that there will be a limit to the range of productions that we can put on; because we have decided not to tamper with this wonderful feature. The curtain will have to be thick to ensure that we do not have too much noise from the construction of a stage. When other activities and occurring in the Ballroom, we will see stages being created for later Theatre productions. We may need a Safety Curtain and, if we do, this may be heavy enough to block most sounds. There is a lot of old equipment hidden behind the boarding that was erected around the Proscenium Arch, many years ago. This has protected the equipment and it is possible that we can re-use it for curtains, and backdrops to be lowered. We have in any case created a budget to cater for these items in our plans. The “Fly Tower” rises some meters above the stage and, whilst not a perfect shape or height, allows up much more flexibility in the productions that we can put on. Scene changes will be much easier with this arrangement. Currently there are two staircases one on each side of the stage. This allows an actor to leave one side of the stage, but return from the other. We will still have this facility, but one of the staircases will have to go, to give access from the goods lift; to both the stage level and the level below. 
The under-stage level currently has loos and dressing rooms and a large open space. For the current plans the changes on this level will be limited, even though the plans show a considerable alteration. This may be delayed as it is not essential and we will be limited for money at this time. We should, however, be able to refurbish this area and make it as pleasant as we can, without spending an enormous sum. From this under-stage area there is at least one exit to the stage and we feel sure that another exists. We have not been able to uncover enough of the stage to see where this comes in. Having different accesses to the stage will allow actors to arrive to the stage from numerous different directions. We hope to arrive at a position where we can offer a reasonable stage for; Theatre for Amateur Productions; Theatre for Schools; Small touring shows, with limited requirements; Comedy Nights; One man / woman shows. Gregor
We are looking to achieve the following objectives: • To keep the Proscenium Arch. • To have the ability to construct Theatre props, whilst the rest of the Pavilion is being used for other things. • To be able to slide in props from the wings. • To be able to drop props from the “Fly Tower”. • To be able to drop backdrops from the “Fly Tower”. • To have a good Dressing Room area for the Theatre. • To be able to have a “Green Room” for musicians. The stage is “raked”, what that means is that it is lower at the front than the back. This allows more people to have a clear view of the back of the stage. We will not change this. The width of the stage is an important question, due to sight-lines and the type of performance that we can put on. However the Proscenium Arch is a tremendous feature in the Pavilion, which should not be lost.
The Proscenium Arch is seven meters wide but the stage could be extended to ten by ten meters. The result is that the arch restricts the view of the back of the stage; especially if you are sitting at the front and off to one side.
The result is that there will be a limit to the range of productions that we can put on; because we have decided not to tamper with this wonderful feature. The curtain will have to be thick to ensure that we do not have too much noise from the construction of a stage. When other activities and occurring in the Ballroom, we will see stages being created for later Theatre productions. We may need a Safety Curtain and, if we do, this may be heavy enough to block most sounds. There is a lot of old equipment hidden behind the boarding that was erected around the Proscenium Arch, many years ago. This has protected the equipment and it is possible that we can re-use it for curtains, and backdrops to be lowered. We have in any case created a budget to cater for these items in our plans. The “Fly Tower” rises some meters above the stage and, whilst not a perfect shape or height, allows up much more flexibility in the productions that we can put on. Scene changes will be much easier with this arrangement. Currently there are two staircases one on each side of the stage. This allows an actor to leave one side of the stage, but return from the other. We will still have this facility, but one of the staircases will have to go, to give access from the goods lift; to both the stage level and the level below. 
The under-stage level currently has loos and dressing rooms and a large open space. For the current plans the changes on this level will be limited, even though the plans show a considerable alteration. This may be delayed as it is not essential and we will be limited for money at this time. We should, however, be able to refurbish this area and make it as pleasant as we can, without spending an enormous sum. From this under-stage area there is at least one exit to the stage and we feel sure that another exists. We have not been able to uncover enough of the stage to see where this comes in. Having different accesses to the stage will allow actors to arrive to the stage from numerous different directions. We hope to arrive at a position where we can offer a reasonable stage for; Theatre for Amateur Productions; Theatre for Schools; Small touring shows, with limited requirements; Comedy Nights; One man / woman shows. Gregor
06/06/2010
The Pavilion Plans Part 8 – The Space
This is the eighth in my series of articles about the plans for the Pavilion. This part is again about the Ballroom, but it is about the ballroom uncovered, with the seats rolled back and the floor exposed. 
It is fine having a theatre, but that format limits the use that a space can be put to. So why not have a theatre that can also be used as a concert venue or as a space for exhibitions, table top sales or local sports? In the previous post I talked about the possibility of nine rows moveable seats and the front five-and-a-half rows being completely removable. The nine rows of movable seats would be able to be rolled back like drawers into a wardrobe. Click this link to see how this would work; there is an animation half way down the page. These would roll back to form two stacks at the back of the hall, in front of the balcony. The approximately 110 seats making up the front of the theatre seating would be stacked into carousels and stored in our new storage area. Below is a picture of how these would look when stacked.
Clearing a large space in front of the balcony, which could accommodate around 400 people standing, means that we can use most of the ballroom for events other than theatre. The floor will be largely unaffected by the movement of the chairs as the flat chairs have removable rails that they attach to; which themselves can be removed. The moveable chairs have a wheeled arrangement that, at worst, will require a flat metal rail cut into the floor. The stage can therefore be used for a band playing, or extended forward if the band requires more space. These extensions would also require storage when not being used and would reduce the audience capacity.
The balcony should not be forgotten. It will still be available when there are concerts, and will have a fire limit of 60. This is slightly lower than the seating capacity, but has more to do with the fire exits and the fact that there will only be one staircase for the first flight of stairs. When we have exhibitions and table top sales, we would use the whole space available including the Foyer, the Refectory and the Grey Room; this would give us a considerable space to erect tables and stalls. For these events, we would open the shutters and the lantern blinds. The whole ballroom will then feel very light – except in winter! Gregor
It is fine having a theatre, but that format limits the use that a space can be put to. So why not have a theatre that can also be used as a concert venue or as a space for exhibitions, table top sales or local sports? In the previous post I talked about the possibility of nine rows moveable seats and the front five-and-a-half rows being completely removable. The nine rows of movable seats would be able to be rolled back like drawers into a wardrobe. Click this link to see how this would work; there is an animation half way down the page. These would roll back to form two stacks at the back of the hall, in front of the balcony. The approximately 110 seats making up the front of the theatre seating would be stacked into carousels and stored in our new storage area. Below is a picture of how these would look when stacked.
Clearing a large space in front of the balcony, which could accommodate around 400 people standing, means that we can use most of the ballroom for events other than theatre. The floor will be largely unaffected by the movement of the chairs as the flat chairs have removable rails that they attach to; which themselves can be removed. The moveable chairs have a wheeled arrangement that, at worst, will require a flat metal rail cut into the floor. The stage can therefore be used for a band playing, or extended forward if the band requires more space. These extensions would also require storage when not being used and would reduce the audience capacity.
The balcony should not be forgotten. It will still be available when there are concerts, and will have a fire limit of 60. This is slightly lower than the seating capacity, but has more to do with the fire exits and the fact that there will only be one staircase for the first flight of stairs. When we have exhibitions and table top sales, we would use the whole space available including the Foyer, the Refectory and the Grey Room; this would give us a considerable space to erect tables and stalls. For these events, we would open the shutters and the lantern blinds. The whole ballroom will then feel very light – except in winter! Gregor
05/06/2010
The Pavilion Plans Part 7 – The Theatre
This is the seventh in my series of articles about the plans for the Pavilion. This part, and the eighth talk, is about the Ballroom. It is central to the project and is therefore one which requires a significant amount of time devoted to it.
Firstly we wanted a theatre with around 400 seats. There is no Theatre near Matlock Bath of this size. You have to go to Buxton, Chesterfield or Derby to find a venue of this size or greater. There are however a number of venues that can cater for around 200; Ashover Village Hall, the Whitworth Centre and Highfields School all boast a hall of around this size. None fill the gap that exists for a larger hall.
Secondly we wanted to produce a proper theatre; everyone must have a good view of the stage. If all the seating was flat on the ballroom floor, however, the seats at the back of the Ballroom would not get a clear view of the stage. Clearly with a narrow Proscenium Arch there will be some seats at the front that will not be able to see all of the back of the stage, these would be few in number.
We also wanted people to enter the theatre from the top and walk down to their seats. We did not want a theatre that “felt” like a lecture theatre!
Thirdly we had to have a proper theatre stage and the dressing room facilities below that the Pavilion offers. As a result we have limited the use this space to a limited number of alternative uses.
Fourthly we had to cater for the legal requirements. There need to be at least two exits accessible to all the visitors in the hall. There needs to be full disabled assess and safe zones in the event of fire.
There need to be enough toilets; the rules state that 60% of a theatre audience are women and that there should be one loo for every 20 women plus one. That gives twelve womens’ loos! The requirement for non Theatre is much lower (one for every 50 plus two).
Finally we wanted a flexible space, but more about that in part 8.
The design we have come up with is one which has two corridors down from the entrances at the top. The first five rows of seats are on a balcony, about which I have already spoken in part 4. The following nine rows are all on movable seats (more about that in part 8). All of these seats will be at an angle to ensure a good view of the stage. The top seat will be around 11 feet higher than the ballroom floor level.
The five front rows, and another half row, would be movable allowing access to the fire exits and, if a larger stage is needed, some of these rows can be removed. Additionally, if 400 seats are not needed, the front area can be left open.
The seating would be proper cushioned theatre seats with armrests but probably not quite the quality that you would get in a top quality cinema. This compromise is in order to get the greatest number of seats in the theatre and, to have a flexible use for the space, some of the seats will have to be movable and others will have to fold away.
The windows would have sound-proof shutters that can be opened when the theatre is being used during the daytime. The walls would have heat insulation, which would also assist in keeping sound in the hall.
The big change from the nightclub would be in the roof space. We would re-open it as in the attached picture and create a mechanism that will shut out light from the lantern, when complete darkness is required.
The theatre will therefore have a great feeling of space, deriving from its height, so even with 400 people inside it will feel spacious.
The wonderful Proscenium Arch (pictured) will be exposed, repaired and shown in all its glory – it will become a great feature of the restored theatre.
The type of theatre we can offer is not going to be universal, we cannot cater for large theatre touring companies, but with only 400 seats on offer we cannot get enough income to pay their costs. We will be able to offer theatre in the following formats:
• Small touring company performances, e.g. those with limited numbers on-stage at any one time. • Local amateur theatre companies. • School theatre, where they need a larger venue to fit everyone in. • Comedy nights and other one man / woman acts.
This will give a tremendous range of theatre opportunities for people in an area covering most of both Derbyshire Dales and Amber Valley.
04/06/2010
The Pavilion Plans Part 6 – The Grey Room
This is the sixth in my series of articles about the plans for the Pavilion. The room I’m talking about was known as the “The Quiet Room” in the time of the nightclub. We are working with the name “The Grey Room” in memory of Phil Grey, who ran the Pavilion in its heyday.
We have considered a number of considerations for this room: • The room should be available for local use. • Additionally it should be available for certain events in the Pavilion. • There should therefore be a separate entrance for the local use. • It should primarily be simple in structure and organisation. • Could it be opened early?
With the separate staircase it should be easy to separate the Grey Room from the rest of the building. The fire doors at the top of the stairs can be used to separate this room from and other activities going on in the Pavilion. There is an area beside the Grey Room that could be used as storage and the room can therefore be used for a range of activities beyond just meetings. As a result there could be a fairly wide range of activities from sports to meetings of the Parish Council. There will also be a door onto a patio we are creating above the storage space (more about this later). When there is an event that wants to spill out onto this it will be available. We can therefore cater for receptions and private parties in this room. When there is a Theatre night, the Grey Room would be used in the interval for drinks. When there are Table Top Sales or Exhibitions, this room can be added to the space available. Gregor
We have considered a number of considerations for this room: • The room should be available for local use. • Additionally it should be available for certain events in the Pavilion. • There should therefore be a separate entrance for the local use. • It should primarily be simple in structure and organisation. • Could it be opened early?
With the separate staircase it should be easy to separate the Grey Room from the rest of the building. The fire doors at the top of the stairs can be used to separate this room from and other activities going on in the Pavilion. There is an area beside the Grey Room that could be used as storage and the room can therefore be used for a range of activities beyond just meetings. As a result there could be a fairly wide range of activities from sports to meetings of the Parish Council. There will also be a door onto a patio we are creating above the storage space (more about this later). When there is an event that wants to spill out onto this it will be available. We can therefore cater for receptions and private parties in this room. When there is a Theatre night, the Grey Room would be used in the interval for drinks. When there are Table Top Sales or Exhibitions, this room can be added to the space available. Gregor
03/06/2010
The Pavilion Plans Part 5 – Theatre Entrance 2nd Floor
This is the fifth in my series of articles about the plans for the Pavilion. It talks about the top floor and the Dome.
Few people will have seen this floor as it was mostly offices, store rooms and a workshop. The public did not often get up there! The Theatre starts to dominate my story. Part 7 will be all about the Theatre, but the reader needs to know that the entrance to the Theatre will be from this floor: • We needed to have a light and audio Control Room. • We needed to have a exits from the Theatre. • The Disabled Lift terminates here. • We needed provision for a disabled toilet. • The corridors have to be “fire proof” to meet the regulations. 
As the feature staircase (discussed in post four) arrives on the 2nd floor, the corridor splits and goes either side of the Control Room. The Control Room will have all the audio and light controls for both Theatre and Music Venue and, with a hole in the back wall of the ballroom, people in the Control Room will be able to see the whole stage area. It will be raised a bit above the seating in front, hence the steps up. As to the corridors, the right hand one (upper in the picture) goes straight to the entrance to the Theatre, past a small storage room or office. The left hand corridor will go past the atrium and the top of the disabled lift. Here will be a secure disabled safety area in case of fire. The corridor then passes another office and the disabled toilet, before entering the Theatre. The dome room will not be touched at the moment, as this will cost more and we will have limited funds. It will be used however; as we hope we have found someone to rent it from us. 
When exiting the building, in the event of fire, the right hand staircase, the upper on in the plan above will be the secure fireproof staircase. This directly connects to the feature staircase to the second floor. Gregor
Few people will have seen this floor as it was mostly offices, store rooms and a workshop. The public did not often get up there! The Theatre starts to dominate my story. Part 7 will be all about the Theatre, but the reader needs to know that the entrance to the Theatre will be from this floor: • We needed to have a light and audio Control Room. • We needed to have a exits from the Theatre. • The Disabled Lift terminates here. • We needed provision for a disabled toilet. • The corridors have to be “fire proof” to meet the regulations. 
As the feature staircase (discussed in post four) arrives on the 2nd floor, the corridor splits and goes either side of the Control Room. The Control Room will have all the audio and light controls for both Theatre and Music Venue and, with a hole in the back wall of the ballroom, people in the Control Room will be able to see the whole stage area. It will be raised a bit above the seating in front, hence the steps up. As to the corridors, the right hand one (upper in the picture) goes straight to the entrance to the Theatre, past a small storage room or office. The left hand corridor will go past the atrium and the top of the disabled lift. Here will be a secure disabled safety area in case of fire. The corridor then passes another office and the disabled toilet, before entering the Theatre. The dome room will not be touched at the moment, as this will cost more and we will have limited funds. It will be used however; as we hope we have found someone to rent it from us. 
When exiting the building, in the event of fire, the right hand staircase, the upper on in the plan above will be the secure fireproof staircase. This directly connects to the feature staircase to the second floor. Gregor
02/06/2010
The Pavilion Plans Part 4 – Main Foyer 1st Floor
This is the fourth in my series of articles about the plans for the Pavilion. Let me say again, these plans are just draft plans and will change as further considerations are taken into account.
The biggest internal change will occur in what was the long corridor between the Refectory and what we are calling the “Grey Room” (more about this room in a later post). In the days of the nightclub this was a long dark corridor with toilets off to one side and the dance floor off to the other, at one end was the Quiet Room and at the other was the Canteen. We wanted to convert this into: • Something that is light. • Somewhere not dominated by the toilets. • Space to create good access to the floor above (more about this in my next post). • Space for the Disabled lift. • A small retail outlet for ice creams chocolates and programmes. • A wider space; not just a corridor. 
In order to achieve this we are proposing a balcony, with five rows of seats, over the back of the ballroom. This looses a bit of the open space in the ballroom, but gives us an enormously useful space below it. In this space we will put the toilets and create an attractive foyer, in the middle, to draw people into the ballroom. As part of the corridor, it will give the corridor a much wider feel than it currently has. Where the existing toilet space are can be turned into a much brighter space, using the light from the windows at the front of the building. On the left will be a feature staircase, which will act as access to the entrance to the theatre; which will be above. By having a glass wall in this staircase, light will flood in from the windows to the foyer. In the middle, where currently there is a narrow staircase, will be the ice cream outlet with a small atrium above; to allow more light to flow into the foyer. On the right will be the disabled lift and the rest of that space turned into a small office. Again it may be possible to allow light to shine in from the office by having a glass partition between it and the foyer. In all, we can create a light and airy space right next to the Ballroom entrance with good assess, to both the staircases down and the feature staircase up to the floor above; about which I will talk in my next post. Gregor
The biggest internal change will occur in what was the long corridor between the Refectory and what we are calling the “Grey Room” (more about this room in a later post). In the days of the nightclub this was a long dark corridor with toilets off to one side and the dance floor off to the other, at one end was the Quiet Room and at the other was the Canteen. We wanted to convert this into: • Something that is light. • Somewhere not dominated by the toilets. • Space to create good access to the floor above (more about this in my next post). • Space for the Disabled lift. • A small retail outlet for ice creams chocolates and programmes. • A wider space; not just a corridor. 
In order to achieve this we are proposing a balcony, with five rows of seats, over the back of the ballroom. This looses a bit of the open space in the ballroom, but gives us an enormously useful space below it. In this space we will put the toilets and create an attractive foyer, in the middle, to draw people into the ballroom. As part of the corridor, it will give the corridor a much wider feel than it currently has. Where the existing toilet space are can be turned into a much brighter space, using the light from the windows at the front of the building. On the left will be a feature staircase, which will act as access to the entrance to the theatre; which will be above. By having a glass wall in this staircase, light will flood in from the windows to the foyer. In the middle, where currently there is a narrow staircase, will be the ice cream outlet with a small atrium above; to allow more light to flow into the foyer. On the right will be the disabled lift and the rest of that space turned into a small office. Again it may be possible to allow light to shine in from the office by having a glass partition between it and the foyer. In all, we can create a light and airy space right next to the Ballroom entrance with good assess, to both the staircases down and the feature staircase up to the floor above; about which I will talk in my next post. Gregor
01/06/2010
The Pavilion Plans Part 3 – The Cloakroom
This is the third in a series of articles about the plans for the Pavilion, which I will write over a number of days. This one is shorter as there is much less space on the Mezzanine Floor than any other.
In the nightclub the space available was used as a cloakroom and a small room, with no natural light, used as part store and part fuse-room for the electrical system.
The disabled lift has to go through this so a part of the space is taken with its shaft. The rest of the space will be taken up by the cloakroom. The cloakroom will therefore be bigger and able to store coats from a large proportion of the 400 theatre visitors if necessary. Gregor
In the nightclub the space available was used as a cloakroom and a small room, with no natural light, used as part store and part fuse-room for the electrical system.
The disabled lift has to go through this so a part of the space is taken with its shaft. The rest of the space will be taken up by the cloakroom. The cloakroom will therefore be bigger and able to store coats from a large proportion of the 400 theatre visitors if necessary. Gregor
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